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Olive tree, Sifnos, 1990,
charcoal and pastel on paper, 47,5×33 cm

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Olive tree, Sifnos, 1990,
charcoal and pastel on paper, 47,5×33 cm

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Sifnos, 1990,
charcoal and pastel on paper, 48×67 cm

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Tree’s column, 2005,
acrylic, charcoal and pastel on paper glued on paper, 154x42x42 cm

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Tree’s column (Ancient art, Byzantium, Renaissance, Modern Era) 2005,
acrylic, charcoal, pastel on paper, 154x42x42 cm

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Relatedness III, 2011,
acrylic, charcoal and pastel on paper glued on wood, 62×42 cm

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Affinities II, 2011,
acrylic, charcoal and pastel on paper glued on wood, 62×42 cm

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Tree’s stories II, 2011,
acrylic, charcoal and pastel on paper glued on wood, 98×65 cm

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Bridges II, 2011,
acrylic, charcoal and pastel on paper glued on wood, 92,5×62,5 cm

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Variations on a tree by Mantegna, 2011,
monotypes with oil on paper, 76×36 cm

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Variations on a tree by Poussin, 2011,
monotypes with oil on paper, 76×36 cm

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History pentaptych- Ancient art, Byzantium, Renaissance, Modern Era, Eastern art, 2011,
acrylic, charcoal and pastel on paper glued on wood, 90×40 cm (each)

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Affinities IV, 2011,
acrylic, charcoal and pastel on paper glued on wood, 92,5×62,5 cm

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From the series “Tree’s stories”, 2011,
acrylic, charcoal and pastel on paper glued on wood, 20×30 cm

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From the series “Tree’s stories” 2011,
acrylic, charcoal and pastel on paper glued on wood, 20×30 cm

A Museum of Trees

The tree, as part of the landscape or on its own, has always been one of the dominant themes in Markos Kampanis’ paintings. Fascinated with painting directly from nature, he has created works with various techniques and materials – drawings, acrylics, monotypes, prints.

The Museum of Trees series deals with the tree as it is depicted through art history. Real trees seen in nature give way to the trees of history. The series traverses the entire history of art from antiquity to the present day, from east to west, focusing on how trees have been painted throughout time. In this way, relationships between different historical periods and affinities between different aesthetic and cultural approaches are highlighted. We are guided to find similarities and common elements through the painter’s vision between epochs or perceptions that are seemingly different, even ‘hostile’, to each other.

The works were exhibited in 2011 at the Athens Art Gallery and in 2012 at the Cultural Foundation of the National Bank of Greece in Thessaloniki. Selected works were shown in the exhibition “Ploes 21” at the Kydonieos Foundation in Andros in 2015 and in the international exhibition “Myths, Memories, Mysteries” in 2014-15, curated by Roger Wollen.

Exhibits